Tip: When Stereo Stage is activated, the panning knobs in the Mixer view still control the left to right positioning. Small percentage numbers place instruments closer to the microphones and larger percentages place instruments farther back on the stage, with 100% being near the back wall of the stage. Adjust the Depth knob (or use MIDI CC#36) to set the position of the instrument front to back on the stage. solo instruments that lack recorded stereo information.) Click the on/off switch to turn Stereo Stage on or off, or use MIDI CC#103. This can create a more three-dimensional image for positioning instruments on the stage, both left to right and front to back, especially for monaural instruments (e.g.
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When Stereo Stage is turned on, it simulates the arrival times from the position of the instrumental sound source to a pair of virtual stereo microphones, plus the first reflections from side walls, rear walls, and the ceiling. When Stereo Stage is turned off, instruments can be panned from left to right in the usual way, positioning them left to right by relative left/right volume intensity only. Adjust low to control the filter gain for the bottom of the spectrum, mid for the midrange frequencies (with separate knobs for defining the mid frequency and gain) and high for the top end of the frequency spectrum. Click the on/off switch to turn the EQ on or off.
The EQ section is a three-band equalizer, with each band having a separate gain knob (-12dB to +12 dB). The controls available are based on the instrument and library activated. The manner in which other controllers work is defined by the individual MIDI instrument.s in addition to the graphical knobs, sliders, and switches shown in the controls view. Some of them, such as CC#7 (volume) and CC#10 (pan) are universal in that they have essentially the same effect on any MIDI instrument. Often, these controls will be assigned to MIDI CC Continuous controllers are numbers that relate to particular adjustable parameters of a MIDI channel. Controls are displayed graphically as knobs, sliders, switches, and drop-down menus.
The term is borrowed from physical synthesizers in which cables were used to connect sound modules.
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The Controls view provides a central location for all visible control parameters for an individual instrument patch A particular instrument sound, often containing multiple samples. Use the Controls view The Controls view
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